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Tidy monograph of idiosyncratic work from the king of Italian postmodernism. Sottsass's own firm colors way outside the lines defined by his Memphis work, highlighting his taste for iconic formalism and plastic-fantastic techno-optimism across commercial goods, retail interiors, residential architecture, graphics, and more.
Universe, 1999
Softcover - 280 pages
Tidy monograph of idiosyncratic work from the king of Italian postmodernism. Sottsass's own firm colors way outside the lines defined by his Memphis work, highlighting his taste for iconic formalism and plastic-fantastic techno-optimism across commercial goods, retail interiors, residential architecture, graphics, and more.
Universe, 1999
Softcover - 280 pages
